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Drama《The Life of No Birth》
Publish time 2020-02-17 13:32
Drama "The life of no birth" is a classic repertoire of Tibetan drama group, and play with sharp social changes before and after the democratic reform in Tibet as the main vein, tells the story of the hero tashi a misery before the democratic reform in Tibet, and after the democratic reform in the era of the testimony of nima, new Tibetan people of all nationalities have the good life of the masses.
The play reveals the cruelty and darkness of feudal serfdom, and expresses the historical changes of the snowy plateau in just a few decades, spanning thousands of years, under the strong leadership of the Communist Party of China.
Drama through the exquisite performance of the actors and the perfect stage effect, let people immerse themselves in the scene. Nearly two and a half hours of performance, to the audience in that dark, cruel, backward, barbaric old Tibet, the miserable life of serfs, telling everyone that a happy life is not hard-won, should be treasured.
Classic theme has a broad popularity, is itself a thick big subjects, so the choreography without expression hidden theme of national characteristics, and focuses on the theme of the play character destiny atmosphere to create emotional need, with mountain type mural showing grand topics required scenarios, Montenegro's dark clouds, trees, the rocks The whole gives a feeling of oppression and repression.
In the middle starring area, the irregular circular turntable on the slope helps the actors' performance and the scheduling and changing of the scene props, and the movement and opening and closing of the mountain scenery film, all of which bring visual impact to the expression of the emotional atmosphere and theme of the play. And the production of the stage scene film also uses the screen to make the virtual and real together with many special lighting effects in the play, which is a very good use of material effect.
Lighting design and creation concept
As the stage lighting designer, ciren sangzhu will make efforts to make the drama shine new stage art charm in this performance.
Therefore, at the beginning of the design, the light ratio and illumination, color and color temperature, side light, low flow light, backlight, side backlight as the main light source, dilute the previous concept, to explore and try.
After discussion with director, stage set design again and again and, eventually reached a consensus: by black and white idea as the keynote of this fourth FuPai creation, stage design department according to the concept design direction, clothing, makeup, props focuses on black, white, grey, eliminate noise, until the plot development gradually add colour to the democratic reform in Tibet.
Early black and white main tone
Color is gradually added in the later stage. The stage lighting design makes viewers feel gloomy and dark through the light with high color temperature under low illumination. With the development of the plot, gradually lowering the color temperature and increasing the illumination will make viewers feel happy and warm. Combined with the design idea of "combination of virtual and real, soft and hard" in stage design, the different demands and limitations of light source for stage projection and real scene, soft and hard scene in stage design presentation techniques of this drama are fully considered.
Using the characteristics of LED cutting pattern lamps and LED imaging lamps to control the light area and spot, the theater space is shaped and illuminated. Using the characteristics of uniform illumination and high color rendering index of LED dyeing lamps, the space rendering and atmosphere creation of drama space are carried out.
To achieve the design framework thinking to make sense, to present the original intention of the design, follow from "shameless" to "slowly face" the process of illumination, and strive to achieve the interpretation of the play to the mood and atmosphere, rendering and contrast "old Tibet makes people become ghosts, new Tibet makes ghosts become people" this vertical drama.
The play reveals the cruelty and darkness of feudal serfdom, and expresses the historical changes of the snowy plateau in just a few decades, spanning thousands of years, under the strong leadership of the Communist Party of China.
Drama through the exquisite performance of the actors and the perfect stage effect, let people immerse themselves in the scene. Nearly two and a half hours of performance, to the audience in that dark, cruel, backward, barbaric old Tibet, the miserable life of serfs, telling everyone that a happy life is not hard-won, should be treasured.
Classic theme has a broad popularity, is itself a thick big subjects, so the choreography without expression hidden theme of national characteristics, and focuses on the theme of the play character destiny atmosphere to create emotional need, with mountain type mural showing grand topics required scenarios, Montenegro's dark clouds, trees, the rocks The whole gives a feeling of oppression and repression.
In the middle starring area, the irregular circular turntable on the slope helps the actors' performance and the scheduling and changing of the scene props, and the movement and opening and closing of the mountain scenery film, all of which bring visual impact to the expression of the emotional atmosphere and theme of the play. And the production of the stage scene film also uses the screen to make the virtual and real together with many special lighting effects in the play, which is a very good use of material effect.
Lighting design and creation concept
Therefore, at the beginning of the design, the light ratio and illumination, color and color temperature, side light, low flow light, backlight, side backlight as the main light source, dilute the previous concept, to explore and try.
After discussion with director, stage set design again and again and, eventually reached a consensus: by black and white idea as the keynote of this fourth FuPai creation, stage design department according to the concept design direction, clothing, makeup, props focuses on black, white, grey, eliminate noise, until the plot development gradually add colour to the democratic reform in Tibet.
Early black and white main tone
Color is gradually added in the later stage. The stage lighting design makes viewers feel gloomy and dark through the light with high color temperature under low illumination. With the development of the plot, gradually lowering the color temperature and increasing the illumination will make viewers feel happy and warm. Combined with the design idea of "combination of virtual and real, soft and hard" in stage design, the different demands and limitations of light source for stage projection and real scene, soft and hard scene in stage design presentation techniques of this drama are fully considered.
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